Professional mode gives the best control over the process. Especially slides framed with anti-Newton glass should really be removed from the window. I put the slides loose on the holder, it works just as well, attaching it with the supplied plastic frame is a bit too cumbersome. Slides framed themselves are removed from the window and are placed on the scanner per 10. Slides that were framed by the lab at the time are placed on the scanner with 4 frames. See 2 attached photos - but with a lot more jpg compression than I usually use to meet the 1MB limit. Even slides where you do not see the purple hue at first sight, look better with color restoration. I had actually already considered it lost, but after scanning everything is again with original colors. Sometimes it's really impressive, some films had turned undisplayable purple. You have to switch off color recovery manually for night shots, with a blue pool in the middle of the image or title slide with a solid background, that's where it goes wrong. The color restoration function is impressive: 25-year-old, purple-discolored slides are returned with the true colors, without the time-consuming photoshop process slide by slide. With the scanner, with the space that is freed up and because the recordings are much more pleasant to view and search through.Ī slide scanned at 3200 dpi gives an excellent result with this scanner, which corresponds to about 10 Megapixels. I have already scanned about 2/3 of my 4000 35mm slides and am still very satisfied.
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